How to choose the right paper weight, finish, and type for books, packaging, and commercial print projects.
Paper is the foundation of every print project. The right choice makes a book feel substantial, a brochure feel premium, and packaging feel worthy of the product inside. The wrong choice undermines even the best design. This guide covers everything a print buyer needs to know to specify paper with confidence.
Paper weight is measured using two different systems, which causes confusion even among experienced designers:
| System | Unit | How It Works | Used In |
|---|---|---|---|
| Basis Weight | Pounds (lb or #) | The weight of 500 sheets (a ream) cut to a standard basic size. Different paper categories use different basic sizes, so 80 lb text is NOT the same thickness as 80 lb cover. | North America |
| GSM | Grams per square meter | The weight of a single square meter of paper. Consistent across all paper types — 150 GSM always weighs the same regardless of category. | International standard |
The basis weight system is the source of endless confusion. A 100 lb text paper and a 100 lb cover paper are completely different thicknesses — the cover stock is roughly twice as thick. When in doubt, specify in GSM or request a physical sample.
| Paper Type | Weight Range | GSM Range | Characteristics | Best For |
|---|---|---|---|---|
| Uncoated Text | 50–70 lb | 75–105 GSM | Natural feel, high readability, no glare. Ink absorbs into the paper for a softer look. | Novels, memoirs, black-and-white nonfiction, literary fiction |
| Coated Matte Text | 60–100 lb | 90–150 GSM | Smooth surface, low glare, excellent image reproduction. More opaque than gloss at the same weight. | Art books, photography books, color nonfiction, magazines |
| Coated Gloss Text | 80–100 lb | 120–150 GSM | Shiny surface, maximum color saturation, crisp detail. Can produce glare under certain lighting. | Cookbooks, catalogs, high-impact photography, children's books |
| Cream / Natural Text | 50–60 lb | 75–90 GSM | Warm off-white tone, reduces eye strain. Traditional book feel with subtle texture. | Literary fiction, memoirs, poetry collections, history books |
| Paper Type | Weight Range | GSM Range | Characteristics | Best For |
|---|---|---|---|---|
| C1S (Coated One Side) | 10–14 pt | 250–350 GSM | Gloss or matte coating on the outside, uncoated inside for gluing. The industry standard for paperback covers. | Paperback book covers, catalog covers |
| C2S (Coated Two Sides) | 10–18 pt | 250–400 GSM | Coated on both sides. Used when the inside cover is printed (gatefold flaps, interior artwork). | Premium paperbacks with flaps, presentation folders |
| Uncoated Cover | 65–130 lb cover | 175–350 GSM | Natural texture, accepts writing. Often recycled content available. | Workbooks, journals, stationery, eco-branded publications |
| Kraft Cover | 14–24 pt | 300–500 GSM | Brown unbleached fiber, rustic appearance. Strong and durable. | Sustainable packaging, workbooks, natural-brand products |
| Material | Thickness | Characteristics | Best For |
|---|---|---|---|
| SBS (Solid Bleached Sulfate) | 10–24 pt | White throughout, smooth surface, excellent print quality. Premium appearance. | Folding cartons, cosmetic packaging, pharmaceutical cartons |
| CUK (Coated Unbleached Kraft) | 12–28 pt | Brown with white coating on one side. Strong, natural appearance inside. | Food packaging, beverage cartons, sustainable brands |
| Chipboard / Greyboard | 40–80 pt | Made from recycled fiber, grey in color. Wrapped with printed paper for rigid boxes. | Rigid boxes, luxury packaging cores, book hardcover boards |
| Corrugated Board | B-flute, E-flute | Fluted inner layer between two liners. Lightweight but structurally strong. | Shipping boxes, mailers, e-commerce packaging |
| Finish | Appearance | Texture | Notes |
|---|---|---|---|
| Gloss | Shiny, reflective | Smooth, slick | Maximizes color vibrancy. Shows fingerprints. Not ideal for heavy reading (glare). |
| Matte | Non-reflective, subtle | Smooth, velvety | Sophisticated look. Resists fingerprints. The standard for most trade books. |
| Satin / Silk | Between matte and gloss | Very smooth | More color pop than matte, less glare than gloss. Popular for magazines and catalogs. |
| Uncoated | Natural, soft | Textured, fibrous | Ink absorbs into the paper. Colors appear more muted. Excellent readability for long-form text. |
| Linen / Felt | Subtle texture pattern | Embossed | Pressed texture applied during manufacturing. Adds tactile interest to covers and stationery. |
| Soft Touch | Ultra-matte | Rubber-like, velvet | A coating (laminate or varnish) rather than paper finish. Distinctive tactile experience. |
For brands and publishers with sustainability commitments, paper choice is a significant factor:
The best way to choose paper is to hold it in your hands. Contact us to request a paper sample kit. We will send you swatches of our most commonly used text and cover stocks so you can evaluate weight, texture, and opacity before committing to a print run.